Scholarship
Publications
Book--A Cultural History of Film in the United States, Vol. 1. Dubuque, IA: Kendall Hunt Publishing, 2018.
https://he.kendallhunt.com/product/cultural-history-film-united-states
Performance Review--The Plough and the Stars by Sean O’Casey, Produced by the Abbey Theatre. October, 2016. Theatre Journal, Vol. 69, No. 4. Dec. 2017. Pg. 590-591.
Book Chapter—“The Storytellers: ‘Stars’ and ‘Seanchaithe’ of the Celtic Tiger.” Autumnal Faces: Old Age in British and Irish Dramatic Narratives. Ed. Katarzyna Bronk, Peter Lang Publishing: May 2017
Book Chapter—“Of Angels and Demons: Staging the Demise of Ireland’s ‘Celtic Tiger’ Through Supernatural Allegory.”The Supernatural Revamped: From Timeworn Legends to 21st Century Chic, Eds Barbara Brodman and James Doan, Rowman and Littlefield Press: April, 2016.
Journal Article—“Christy Mahon comes to Athens, Tennessee: The Playboy of the Western World in Appalachia”; Irish Studies South, Issue 2, Fall, 2016
Performance Review--Terminus by Mark O’Rowe, Produced by the Abbey Theatre. May, 2011. Theatre Journal, Vol. 63, No. 3. Pg. 459-460
Conference Papers
‘”There’s More to Truth Than Facts”: Speculating On Layers of History in Owen McCafferty’s Quietly.” American Conference for Irish Studies (ACIS) 2015 National Conference. Dramatic Representations of History and the Body Panel. University of Miami, March 2015
"Of Angels and Demons: Mark O’Rowe’s Terminus as Supernatural Celtic Tiger Allegory." 2014 Conference of the Southern Regional Chapter of the American Conference for Irish Studies (ACIS), Supernatural in Irish Fiction and Drama Panel. Ft. Lauderdale, FL, February 2014.
“’All My Buddies Are In Boston’: The Rubberbandits’ Hip-Hop Eulogy on the Tiger’s Demise.” The Future State Of Ireland, Goldsmiths, University of London. November 2012.
‘”Let Her Do It Her Own Way”: The Post-Celtic Tiger Women of Elaine Murphy’s Little Gem.’ VIA 2012: Irish Drama / Drámaíocht na hÉireann, A Scholarly Conference on Irish Drama/ Comhdháil Acadúil ar Dhrámaíocht na hÉireann, The Department of Irish Language & Literature, University of Notre Dame. September 2012.
‘“Can’t You Speak English?”: Modernity, Hybridity, and Friel’s Translations.’ Hybrid Irelands Conference, Keough-Naughton Institute for Irish Studies, University of Notre Dame. (Upcoming, March 2012)
‘“I Only Want What Yous Fellas Have”: The Celtic Tiger Masculinity in Conor McPherson’s The Seafarer.’ Conference on Ireland, Masculinity and Popular Culture 1990-2010, Huston School of Film and Digital Media, National University of Ireland, Galway. September 2011.
“Theatre as an Artifact of Change: A Cluster Analysis of Conor McPherson's Shining City.” 2011 Northeast Modern Language Association Conference, Transnational Ireland: The Celtic Tiger and Beyond Panel. April 2011.
“Conor McPherson: Echoes of the Tiger’s Roar.” 2010 Association for Theatre in Higher Education (ATHE) Conference, Post-Celtic Tiger Irish Performance: Connectivities and New Directions Panel. August 2010.
Broadcasting
Performance Review--Sussurus by David Leddy. Produced by David LEddy/Fire Exit, at Wexner Center for the Arts. WOSU/NPR. With Joy Reilly and Marilyn Smith. 15 Oct, 2010.
Performance Review--August: Osage County by Tracy Letts. Produced by Otterbein University Department of Theatre. WOSU/NPR. With Joy Reilly and Marilyn Smith. 6 Oct, 2011.
Performance Review--House/Divided (World Premier) by The Builder’s Association. Produced by Wexner Center for the Arts. WOSU/NPR. With Joy Reilly and Marilyn Smith. 8 Oct. 2011.
Performance Review--The Rehearsal, Playing the Dane produced by Pan Pan Theatre Company, at Wexner Center for the Arts. WOSU/NPR. With Joy Reilly and Marilyn Smith. 19 Nov, 2011.
Performance Review--Avenue Q produced by Contemporary American Theatre Company (CATCO). WOSU/NPR. With Joy Reilly and Marilyn Smith. 10 Aug, 2012.
Book--A Cultural History of Film in the United States, Vol. 1. Dubuque, IA: Kendall Hunt Publishing, 2018.
https://he.kendallhunt.com/product/cultural-history-film-united-states
Performance Review--The Plough and the Stars by Sean O’Casey, Produced by the Abbey Theatre. October, 2016. Theatre Journal, Vol. 69, No. 4. Dec. 2017. Pg. 590-591.
Book Chapter—“The Storytellers: ‘Stars’ and ‘Seanchaithe’ of the Celtic Tiger.” Autumnal Faces: Old Age in British and Irish Dramatic Narratives. Ed. Katarzyna Bronk, Peter Lang Publishing: May 2017
Book Chapter—“Of Angels and Demons: Staging the Demise of Ireland’s ‘Celtic Tiger’ Through Supernatural Allegory.”The Supernatural Revamped: From Timeworn Legends to 21st Century Chic, Eds Barbara Brodman and James Doan, Rowman and Littlefield Press: April, 2016.
Journal Article—“Christy Mahon comes to Athens, Tennessee: The Playboy of the Western World in Appalachia”; Irish Studies South, Issue 2, Fall, 2016
Performance Review--Terminus by Mark O’Rowe, Produced by the Abbey Theatre. May, 2011. Theatre Journal, Vol. 63, No. 3. Pg. 459-460
Conference Papers
‘”There’s More to Truth Than Facts”: Speculating On Layers of History in Owen McCafferty’s Quietly.” American Conference for Irish Studies (ACIS) 2015 National Conference. Dramatic Representations of History and the Body Panel. University of Miami, March 2015
"Of Angels and Demons: Mark O’Rowe’s Terminus as Supernatural Celtic Tiger Allegory." 2014 Conference of the Southern Regional Chapter of the American Conference for Irish Studies (ACIS), Supernatural in Irish Fiction and Drama Panel. Ft. Lauderdale, FL, February 2014.
“’All My Buddies Are In Boston’: The Rubberbandits’ Hip-Hop Eulogy on the Tiger’s Demise.” The Future State Of Ireland, Goldsmiths, University of London. November 2012.
‘”Let Her Do It Her Own Way”: The Post-Celtic Tiger Women of Elaine Murphy’s Little Gem.’ VIA 2012: Irish Drama / Drámaíocht na hÉireann, A Scholarly Conference on Irish Drama/ Comhdháil Acadúil ar Dhrámaíocht na hÉireann, The Department of Irish Language & Literature, University of Notre Dame. September 2012.
‘“Can’t You Speak English?”: Modernity, Hybridity, and Friel’s Translations.’ Hybrid Irelands Conference, Keough-Naughton Institute for Irish Studies, University of Notre Dame. (Upcoming, March 2012)
‘“I Only Want What Yous Fellas Have”: The Celtic Tiger Masculinity in Conor McPherson’s The Seafarer.’ Conference on Ireland, Masculinity and Popular Culture 1990-2010, Huston School of Film and Digital Media, National University of Ireland, Galway. September 2011.
“Theatre as an Artifact of Change: A Cluster Analysis of Conor McPherson's Shining City.” 2011 Northeast Modern Language Association Conference, Transnational Ireland: The Celtic Tiger and Beyond Panel. April 2011.
“Conor McPherson: Echoes of the Tiger’s Roar.” 2010 Association for Theatre in Higher Education (ATHE) Conference, Post-Celtic Tiger Irish Performance: Connectivities and New Directions Panel. August 2010.
Broadcasting
Performance Review--Sussurus by David Leddy. Produced by David LEddy/Fire Exit, at Wexner Center for the Arts. WOSU/NPR. With Joy Reilly and Marilyn Smith. 15 Oct, 2010.
Performance Review--August: Osage County by Tracy Letts. Produced by Otterbein University Department of Theatre. WOSU/NPR. With Joy Reilly and Marilyn Smith. 6 Oct, 2011.
Performance Review--House/Divided (World Premier) by The Builder’s Association. Produced by Wexner Center for the Arts. WOSU/NPR. With Joy Reilly and Marilyn Smith. 8 Oct. 2011.
Performance Review--The Rehearsal, Playing the Dane produced by Pan Pan Theatre Company, at Wexner Center for the Arts. WOSU/NPR. With Joy Reilly and Marilyn Smith. 19 Nov, 2011.
Performance Review--Avenue Q produced by Contemporary American Theatre Company (CATCO). WOSU/NPR. With Joy Reilly and Marilyn Smith. 10 Aug, 2012.
